ARCHITECTURAL COLLECTION - hand carved jewellery in milliput and casted in silver. Inspired by relation between city and nature. The impact of two different worlds: one exists outside - on the top and the second one inside - underneath, Paintings draw by hand, sublimated on metal.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The pendant is inspired by the architecture of the city.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The ring consists stone in the middle surrounded by buildings ( architecture of Sandomierz ) hand carved in milliput, cast in silver, oxidised.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The ring consists stone in the middle surrounded by buildings ( architecture of Sandomierz ) hand carved in milliput, cast in silver, oxidised.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The ring consists stone in the middle surrounded by buildings ( architecture of Sandomierz ) hand carved in milliput, cast in silver, oxidised.
The title role in this piece of jewellery plays stone called 'striped flint'. It comes from Poland near the city Sandomierz. The ring consists stone in the middle surrounded by buildings ( architecture of Sandomierz ) hand carved in milliput, cast in silver, oxidised.
Inspired by Birmingham's architecture. Hand carved, cast in silver, rhodium plated.
Inspired by Birmingham's architecture. Hand carved, cast in silver, rhodium plated.
Inspired by Birmingham's architecture. Hand carved, cast in silver, rhodium plated.
Inspired by Windsor Castle in England. Hand carved in milliput, casted in silver, goldplated. A drawing of colourful garden was sublimated on a piece of aluminium. A silver hand carved fountain in the middle has a diamond on the top.
Inspired by Windsor Castle in England. Hand carved in milliput, casted in silver, goldplated. A drawing of colourful garden was sublimated on a piece of aluminium. A silver hand carved fountain in the middle has a diamond on the top.
Inspired by Windsor Castle in England. Hand carved in milliput, casted in silver, goldplated. A drawing of colourful garden was sublimated on a piece of aluminium. A silver hand carved fountain in the middle has a diamond on the top.
Inspired by Windsor Castle in England. Hand carved in milliput, casted in silver, goldplated. A drawing of colourful garden was sublimated on a piece of aluminium. A silver hand carved fountain in the middle has a diamond on the top.
Inspired by Windsor Castle in England. Hand carved in milliput, casted in silver, goldplated. A drawing of colourful garden was sublimated on a piece of aluminium. A silver hand carved fountain in the middle has a diamond on the top.
Inspired by London's architecture. Hand carved in milliput, casted in silver. The reflections of the buildings appear on the silver disc in the middle.
Inspired by London's architecture. Hand carved in milliput, casted in silver. The reflections of the buildings appear on the silver disc in the middle.
Inspired by London's architecture. Hand carved in milliput, casted in silver. The reflections of the buildings appear on the silver disc in the middle.
Inspired by London's architecture. Hand carved in milliput, casted in silver. The reflections of the buildings appear on the silver disc in the middle.
Ring shows relation between city and nature which is in the middle, underneath the ground. Hand painted image was sublimated on the aluminium surface. Pebbles were carved in milliput, casted in silver.
Ring shows relation between city and nature which is in the middle, underneath the ground. Hand painted image was sublimated on the aluminium surface. Pebbles were carved in milliput, casted in silver.
Ring shows relation between city and nature which is in the middle, underneath the ground. Hand painted image was sublimated on the aluminium surface. Pebbles were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
Pendant shows strong relation between city and nature. Hand painted image was sublimated on the aluminium surface. All the details were carved in milliput, casted in silver.
ORGANIC COLLECTION - jewellery based on human tomography scans. My main objective was to create something real and authentic. As a result project combines new technology with symbolic meanning of the jewellery.
Silver pendant designed in Rhinoceros, rapid prototyped. Based on ultrasound scan.
Silver pendant designed in Rhinoceros, rapid prototyped.
Silver pendant designed in Rhinoceros, rapid prototyped.
Silver earrings designed in Rhinoceros, rapid prototyped.
Silver pendant designed in Rhinoceros, rapid prototyped.
Silver pendant, gold plated. Designed in Rhinoceros, rapid prototyped.
Silver pendant, gold plated. Designed in Rhinoceros, rapid prototyped.
Silver pendant, gold plated. Designed in Rhinoceros, rapid prototyped.
Silver earrings, gold plated. Designed in Rhinoceros, rapid prototyped.
Silver earrings, gold plated. Designed in Rhinoceros, rapid prototyped.
Collection of silver rings, different finishes: enamelled, oxidised. Designed in Rhinoceros, rapid prototyped.
Silver ring. Designed in Rhinoceros, rapid prototyped.
Silver ring, oxidised. Designed in Rhinoceros, rapid prototyped.
Silver earrings, enamelled. Designed in Rhinoceros, rapid prototyped.
Silver pendant, oxidised designed in Rhinoceros, rapid prototyped.
Silver ring, oxidised. Designed in Rhinoceros, rapid prototyped.
Silver ring, oxidised. Designed in Rhinoceros, rapid prototyped.
Silver ring, oxidised. Designed in Rhinoceros, rapid prototyped.
Silver ring, oxidised. Designed in Rhinoceros, rapid prototyped.
Pendant "Destruction" made for the National Jewellery Competition PRESENTATIONS 2013 "Exploitation of Art". The back is covered in silver and oxidised. The front has elements made of white plastic (as a material usage and transformation). The concept is a change from unprecious to precious material.
Pendant "Destruction" made for the National Jewellery Competition PRESENTATIONS 2013 "Exploitation of Art". The back is covered in silver and oxidised. The front has elements made of white plastic (as a material usage and transformation). The concept is a change from unprecious to precious material.
Pendant "Destruction" made for the National Jewellery Competition PRESENTATIONS 2013 "Exploitation of Art". The back is covered in silver and oxidised. The front has elements made of white plastic (as a material usage and transformation). The concept is a change from unprecious to precious material.
ALUMINIUM JEWELLERY
My act of creation - It was like a journey when something begins which has new life but at the same time can end and easily cease to exist. I became the creator for new lines and shapes which were a translation from a meaning of colours. This rebirth, inception and fertility confront ageing, mellowing and dying. To sum up there are two sides with different levels in between. Green patina and black oxide covers parts as a symbol of evanescence. There are two side
My act of creation - It was like a journey when something begins which has new life but at the same time can end and easily cease to exist. I became the creator for new lines and shapes which were a translation from a meaning of colours. This rebirth, inception and fertility confront ageing, mellowing and dying. To sum up there are two sides with different levels in between. Green patina and black oxide covers parts as a symbol of evanescence. There are two side
My act of creation - It was like a journey when something begins which has new life but at the same time can end and easily cease to exist. I became the creator for new lines and shapes which were a translation from a meaning of colours. This rebirth, inception and fertility confront ageing, mellowing and dying. To sum up there are two sides with different levels in between. Green patina and black oxide covers parts as a symbol of evanescence. There are two side
My act of creation - It was like a journey when something begins which has new life but at the same time can end and easily cease to exist. I became the creator for new lines and shapes which were a translation from a meaning of colours. This rebirth, inception and fertility confront ageing, mellowing and dying. To sum up there are two sides with different levels in between. Green patina and black oxide covers parts as a symbol of evanescence. There are two side
Sublimated aluminium, based on my hand sketches with silver construction.
Sublimated aluminium, based on my hand sketches with silver construction.
Hand painted drawing on aluminium surface using aluminium inks. Two paintings are caught by the silver elements laser welded together to create a frame around images. The chain is made from aluminium and silver as well.
WAX CARVING JEWELLERY
Carved in wax, casted in silver, oxidised.
Carved in wax, casted in silver.
Carved in wax, casted in silver, oxidised.
Carved in wax, casted in silver, oxidised.
Double pin brooch inspired by nature. Consist of two elements, brooch and pendant.
The central part of a brooch is a pendant, so can be worn together or separate.
A pendant from Multifunctional Brooch.
A part of the collection - Multifunctional Brooch.
ENAMELLING
I apply multiple layers of enamel, which is finely powdered glass. The layers of enamel are fused to the copper at a very high temperature in a jewellery kiln. This firing process is repeated many times (every colour was fired separately), that's why this technique is very time consuming but the effort is well worth the outcome. This painting is totally unique, I can't create the same image once again, because every time the colours and patterns are much different. I used traditional jewellery t
I apply multiple layers of enamel, which is finely powdered glass. The layers of enamel are fused to the copper at a very high temperature in a jewellery kiln. This firing process is repeated many times (every colour was fired separately), that's why this technique is very time consuming but the effort is well worth the outcome. This painting is totally unique, I can't create the same image once again, because every time the colours and patterns are much different. I used traditional jewellery t
I apply multiple layers of enamel, which is finely powdered glass. The layers of enamel are fused to the copper at a very high temperature in a jewellery kiln. This firing process is repeated many times (every colour was fired separately), that's why this technique is very time consuming but the effort is well worth the outcome. This painting is totally unique, I can't create the same image once again, because every time the colours and patterns are much different. I used traditional jewellery t
I apply multiple layers of enamel, which is finely powdered glass. The layers of enamel are fused to the copper at a very high temperature in a jewellery kiln. This firing process is repeated many times (every colour was fired separately), that's why this technique is very time consuming but the effort is well worth the outcome. This painting is totally unique, I can't create the same image once again, because every time the colours and patterns are much different. I used traditional jewellery t
Hand painted image. Enamelling on silver.
Hand painted dishes. Enamelling on copper.
Hand painted image. Enamelling on silver.
Hand painted images. Enamelling on silver. Front (on right side) and back (on the left side).
OTHERS
Inspired by city landscape, form follows buildings shapes. Made of silver, oxidised.
Set of two rings, made of silver with pure pearls. Designed in Matrix, can be worn together or separate.
Handmade small sculpture made from copper, nickel and gilding metal, oxidised.